Saturday, 9 May 2009

Tagebuch einer Verlorenen (Georg Wilhelm Pabst, 1929)


So, after the absolute delightful experience that was Pandora’s Box, I was quite excited to watch the other pairing up of Louise Brooks and Pabst. This was indeed quite a different movie from Pandora’s Box, and not as good either. Still, it had its strength and well worth checking out, but unlike Pandora’s Box it didn’t feel like it had the same impact as the former. It suffered somewhat from structure, and the impact wasn’t as strong, as well as the themes weren’t as interesting. Still, lets take a closer look.

The character Louise Brooks plays here is quite different from Pandora’s Box. While she there was able to seduce men, and did so with gusto, here she seduces men, but rather against her own will and wit. She is a victim of men’s lust, and in a strange way the themes from the first film are the same here, but warped somewhat. A man forces himself on her, and she becomes pregnant. Now, when the child is born, her parents want to force her to marry this guy, who is by the way an absolute bastard. Of course she refuses and is sent to some prison of sorts with other “deviant” women, her child taken away from her. Here she is monitored by some sick nun and her large bald friend who ensures peace is kept. This part was for me the most interesting part of the film, as the audience are showed some interesting actions and the nun is a great character, who tortures the women at the prison for her own warped sexual pleasure. It is fairly disturbing, and I’m surprised they got away with this in the old days. The implications are great though.

The film lacks a certain drive that Pandora’s Box certainly had. There is a lot of emotional stuff in there, but it just doesn’t tie together as well as the previous film. That said, there are some great scenes, and the film relies on these exceptional sole moments to create its power and meaning. The major problem, compared to Pandora’s Box, is the climax. The climax isn’t that strong, and falls short off the mark, much due to the structure of the film. I know I compare the film too much to Pandora’s Box, but considering the absolute perfection of that film, I feel it is reasonable. Louise Brooks, though, is still great, and the portrayal of the simple naive girl is wonderful, and she truly keeps our interest and concern. Unlike Pandora’s Box, where she was a great asset, here she is basically the saving spirit, although the film craft itself is fine, she does heighten the film to another level. That is not to say that the film is average, it isn’t. But one feels that it could have achieved more, and could have been better. It is still a damn good movie; it just doesn’t reach the cathartic heights that Pandora’s Box did.

Watch Pandora’s Box first, it is a superior movie. However, if you like it, there is not real reason why you shouldn’t watch this film. It still has a lot to offer, and stands fine on its own, and featuring Louise Brooks it is a definite sale. Still good, but falls off the mark compared to the fantastic Pandora’s Box.

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